Month: September 2018
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Time to . . . catch up
Originally posted on A Poet in Time: ? My blog is now four years and two months old. A long time actually, but a short time in my lifespan of seventy-one years. The past four years of writing poetry have been some of the most happy and satisfying times of my life. I’ve become an…
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Memorial Light and Shadow: A #TBT #haibun featuring my latest from .@ImageCurve
What do I remember of her? Straight brown hair, sky-blue eyes and tapered cheekbones? Her love of horses? My head swimming when she smiled? What don’t I remember of her? Our walks in the woods of Douglas Park? Or awkward moments under the bleachers? Or our times together in the rush of pouring rain? I…
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Today’s Haiku (September 27, 2018)
Originally posted on Blue Willow Haiku World (by Fay Aoyagi): 人影のアウシュヴィッツへ行く花野 有馬朗人 hitokage no aushuvittsu e yuku hanano human shadow going to Auschwitz a flowering field Akito Arima from ‘Haidan,’ (‘Haiku Stage’) a monthly haiku magazine, September 2017 Issue, Honami Shoten, Tokyo Fay’s Note: ‘hanano’ (flowering field) is an autumn kigo.
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Haiku: Harvest Time
#Haiku Happenings #8: Xenia Tran’s latest haiku for my current #haikai challenge!
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Pretoria spring
Originally posted on Haiku out of Africa: lilac in your eyes ~ from the jacaranda blossoms ~ only once a year — © Lize Bard @ Haiku out of Africa17
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My Daily #Haiku #2 (9/27/18)
Delighted that my #senryu “promises…” appears in Four Hundred and Two Snails: HSA Members’ Anthology 2018 promises we never keep summer wind first published in Failed Haiku 24
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A New Shoot #Haiga #Haiku #Poetry
Originally posted on Poems for Warriors: The next caretakersResponsible for preservingA new shoot © 2018 Jason A. Muckley
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New poetry in Femku
Originally posted on Anna Maris: Two of my haiku have been published in the new issue of Femku. It is a new american haiku and senruy journal edited by Lori Minor, which publishes poetry by and about women and a female perspecive. The poems were written some time ago as part of a Buson challenge.…
Frank J. Tassone 